Re: Chris' Demise
31This might be a stretch, but is there any chance that Chris could end up in Melfi's office?
I agree with this in the main. But the murder of a screenwriter, someone with friends and family that probably have a little more social "cred" than a waiter, for example, would place a higher public scrutiny and pressure on law enforcement to solve the crime. This murder is the kind of stuff tabloid TV (and is there any other kind, nowadays?) eats up: screenwriter with mob connections, whose latest film is a cross between Saw and Godfather, found dead in home from gunshot to the head.young_moltisanti wrote:I doubt Chris is going down because of JT. It seems the whackings of minor character civilians in The Sopranos are put there to tell us something about the character doing it, or to symbolize something, and not for the actual consequences.
Geez, you'd think after watching this twice that I would have caught that. Thanks for the info.FBI agent wrote:Uh, no.
JT said something along the lines early that he was alone. Said he sent her away so that he could finish the Law & Order script.
No character disappoints more than Chris. Sometimes I actually root for him to do the right thing and he never does. His failures spin the show forward.
Exactly. This would be a sensational story in the land of tabloids and Entertainment Tonight. I imagine Nancy Grace would be all over it, too.FlyOnMelfisWall wrote:I agree with this in the main. But the murder of a screenwriter, someone with friends and family that probably have a little more social "cred" than a waiter, for example, would place a higher public scrutiny and pressure on law enforcement to solve the crime. This murder is the kind of stuff tabloid TV (and is there any other kind, nowadays?) eats up: screenwriter with mob connections, whose latest film is a cross between Saw and Godfather, found dead in home from gunshot to the head.
Return to “Episode 6.17: Walk Like a Man”